CRAMA OPRISOR NENUMITA – SET CUTIE 4 STICLE

Nenumita The second line in the collaboration between Crama Opri Or and Ciprian Paleologu was a double experiment, which I gladly found that many wine lovers accepted without hesitation. On the one hand, the “story” of wine is that “this wine does not have a fixed, predetermined” story. Ciprian Paleologu created three characters – The Woman, the Child and the Beast – whom he released into the world, in four poses, so that everyone who meets them could write their own story. If Adam sat on top of the non-speakers giving them names (and thus having an ascendant on them), the three characters of Paleologu remain generic. There are ingredients that, through their universality, describe all the fairy tales ever written, without pointing the finger at any of them. On the other hand, the maximum freedom of the one who comes into possession of such boxes, containing all four labels, are not only in the right (obligation) to write their own story, but also in the possibility of imagining a name. “The name is more than a game, it is the demand for the sacred word, the password that delimits the” sensible world “(known” through the senses “) from the fantasy, the myth, the nostalgia of the times when people could live. i Ón i din basm. “Unnamed” in itself creates “the reflex to give names, and to give names means” to distinguish, to separate, to compare, to give life. ” To imagine a name for this wine means “to bring it closer and closer.” It means to discover a dialogue between one’s own self and the depths and expressions of this magical position, leaving it to the will of the energies that Myth unleashes in every human being. Esen This experiment is summarized in the certificate of authenticity that accompanies each box. Unnamed as follows: It is close to other people and especially it is a place of holiness (Ö). Look carefully at the stories on the labels, try to understand them, take part in them yourself, be the beast, the child and the woman in turn. (wine) Shiraz, Cabernet Sauvignon, Merlot and Pinot Noir. The same varieties that created the “Fragmentarium”, but in different proportions, with a different intention and a different perspective. Instead of “wine of meditation,” the Nameless proposes “wine for cosmogonic delusions.” It is impossible to approach such a bottleand not fall prey to the temptation of the proposed game: to create your own fairy tale. Taste itself tells an endless story, which always requires more “attention, more” depth. With each little “tasted” tour, the wine reveals something more, a new nuance “rises”, covering what seemed dominant just a moment before. An olfactory course of Extension and a crushing gustatory complex, like a procession of characters from ì1001 at night or like a Venetian carnival in which you do not discover two identical “m” s. In particular, cherries, black cherries and sour cherries, it is subtly passed to the lambs from the apricot jam, walnut hues and blueberry peel, with sudden and meteoric appearances of nuance. It is made of mint and eucalyptus, all learned in a bloody, misty aroma, difficult to define, but easy to feel and recognize. Poured into a glass, the wine speaks to the story for more than an hour, in the epic troughs, without getting tired, but the audience. On the contrary, as it opens up, the comforting nuances of mint and fresh fruit become stronger, keeping the captive interlocutor of the story to the level where it can be said that “Illuminate the mystery”.